bisexual people passing as straight when they’re in a straight relationship is not “passing privilege.” it’s erasure. it’s assimilation.
that’s like saying that femme lesbians have privilege over butch lesbians. invisibility might keep people safer on a micro-level which is fucked up, but it’s all based on people thinking they can tell who’s queer & who’s straight just by looking at them, which is infinitely problematic and painful.
don’t alienate queer people who are assumed to be straight. invisibility is a symptom of hetero-normativity, not a privilege.
“I twittered about this earlier, but sometimes it feels as though talking about misogyny in this industry is like dealing with Groundhog Day: there seems to be a continuous reset, a collective male amnesia around the issue. As if, when a woman speaks out, it’s for the first time and everyone is shocked. Just shocked, I tell you. Sexism exists? OH MY GOD.”—Veteran writer Marjorie Liu on sexual harassment/misogny in the comics industry—and the collective amnesia that hits much of the industry every time the topic ever gets broached. (via robot6)
Hi Ang, sorry if you've been asked this a zillion times already but will you be at SDCC again this year? It was really nice meeting you last year and your cosplay was awesome ^.^
It was lovely meeting you too ♡
Unless tickets magically float down out of the sky, I will not be attending SDCC this year. I totally missed the boat on getting passes, and all of my friends did too! Kind of disappointing, but! There will always be other years.
However, I will be doing many other cons this year, even tabling at some! Which is very exciting for me and I’ll be updating everyone as they come ♡
“People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.”—Sophie Turner, in response to Sansa hate (x)
Your personality and humor really shines through in your latest tutorial it makes me so happy to watch!
Hey thanks a lot! The world of youtube beauty gurus is very intimidating to me and even though that’s not my jam, I certainly dabble in it. But I’m not a very serious person, especially when it comes to makeup and hair, so I’m happy that people appreciate my style of tutorials ♡
People are always scared to talk about this, and it needs to be discussed. It takes brave people like Janelle to actually take a stand, and risk becoming a target. It takes the rest of us to say something and have her back.
Please read this if you have any interest or involvement in the comics industry, and fill out her survey!
"Scarlett does great representation for all the other girls, but there should be a Wonder Woman movie. I don’t care if they make 20 bucks, if there’s a movie you’re gonna lose money on, make it Wonder Woman. You know what I mean, ’cause little girls deserve that."
A friend and I were out with our kids when another family’s two-year-old came up. She began hugging my friend’s 18-month-old, following her around and smiling at her. My friend’s little girl looked like she wasn’t so sure she liked this, and at that moment the other little girl’s mom came up and got down on her little girl’s level to talk to her.
“Honey, can you listen to me for a moment? I’m glad you’ve found a new friend, but you need to make sure to look at her face to see if she likes it when you hug her. And if she doesn’t like it, you need to give her space. Okay?”
Two years old, and already her mother was teaching her about consent.
My daughter Sally likes to color on herself with markers. I tell her it’s her body, so it’s her choice. Sometimes she writes her name, sometimes she draws flowers or patterns. The other day I heard her talking to her brother, a marker in her hand.
“Bobby, do you mind if I color on your leg?”
Bobby smiled and moved himself closer to his sister. She began drawing a pattern on his leg with a marker while he watched, fascinated. Later, she began coloring on the sole of his foot. After each stoke, he pulled his foot back, laughing. I looked over to see what was causing the commotion, and Sally turned to me.
“He doesn’t mind if I do this,” she explained, “he is only moving his foot because it tickles. He thinks its funny.” And she was right. Already Bobby had extended his foot to her again, smiling as he did so.
What I find really fascinating about these two anecdotes is that they both deal with the consent of children not yet old enough to communicate verbally. In both stories, the older child must read the consent of the younger child through nonverbal cues. And even then, consent is not this ambiguous thing that is difficult to understand.
Teaching consent is ongoing, but it starts when children are very young. It involves both teaching children to pay attention to and respect others’ consent (or lack thereof) and teaching children that they should expect their own bodies and their own space to be respected—even by their parents and other relatives.
And if children of two or four can be expected to read the nonverbal cues and expressions of children not yet old enough to talk in order to assess whether there is consent, what excuse do full grown adults have?
I try to do this every day I go to nursery and gosh it makes me so happy to see it done elsewhere.
“The first two books are adventure stories, about getting people jazzed for revolution. But the third one changes genres and switches into misery porn. It’s about the consequences and the reality of that revolution.
You wanted a war, dear reader? Here is war, up close and personal. Here is the boredom and the fear and the being locked in a “safe” place with no control. Here is Prim dying pointlessly. Here is PTSD. Here is a brainwashed, weaponized version of your beautiful lover who went off to battle and came back a killer. Here are people, fatuous people but people who cared about you and who just happened to be on the wrong side at the wrong time, people who are beaten and kept in chains by your allies. Here are your friends and peers dying screaming in the stinking dark, literally torn to pieces and devoured alive. Here is the man you thought would be your confidante for life and maybe something more, the blood of your fucking family all over his hands. Here is beaten down exhaustion and despair and confusion. Here is everything you wanted, dear reader. Eat it up. Choke it down. Does any of it seem so necessary now?
And for all that price paid, what changes? The old man is dying anyway, he chokes to death on his own blood laughing at you. The old lady just brings the games back. Everything you fought for, perverted by power-hungry politicians. All that changed was the color of the boot and the neck it pressed down on.
Even after righting THAT final wrong, the only happy ending Katniss gets is that she can tell her kids why mommy wakes up screaming at night.
Yeah, the prose isn’t the best. But damn do I love where Collins took the series. It’s not an adventure series about justified vengeance. It’s about the consequences of violence, and the personal and social toll it takes on everybody. She fashioned an intense anti-war story and suckered the audience into it with her thrilling dystopia tales. What a great trick.”—
He—the “mr” makes me assume it’s a he—got it. That’s why I think this trilogy is so brilliant, and this guy got it, though I wouldn’t have in-your-face’d the review so bad. Collins shows the aftermath of revolution so beautifully.